Just in time for Christmas we’ve added these stunning Marilyn Monroe film cells to our catalogue. They are in stock and ready to ship.

There are more variations to choose from so click on the link below for more details.

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CLICK HERE to venture boldly back to StarTrekMovie.com to experience an all new site that includes the new trailer and brand new images of Kirk, Spock and more in the Gallery section. While you’re there, be sure to head to the Downloads section to get the latest Star Trek wallpapers for your desktop!

You can buy Star Trek XI movie posters and Star Trek film cells

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David Lindsay-Abaire will pen the scipt for Spider-Man 4. The award winning writer is chosen to get the franchise back on track. All Movie Replicas has a large number for Spider-man film cells from both Spider-Man 2 and Spider-Man 3 films. Each film cell is limited in number and comes with Certificate of Authenticity.

Columbia is set to hire a Pulitzer Prize-winning writer to pen Spider-Man 4, according to The Hollywood Reporter.

David Lindsay-Abaire, who won the prestigious award for his play Rabbit Hole, has secured to gig to write the third franchise sequel that is set to unite stars Tobey Maguire and Kirsten Dunst and director Sam Raimi.

The choice of a high-brow screenwriter shows a determination by the studio to focus on character this time around, something many thought got lost in the messy Spider-Man 3.

Zodiac scribe James Vanderbilt previously wrote a draft of the script.

As yet plot details are still being kept tightly under-wraps.

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The folks over at IGN wants your help to topple Titanic from the top spot as the highest grossing film of all time. The views concerning Titanic is IGN’s alone:

It was 1997. Titanic opened just before Christmas. It was one of those movies that debuted at exactly the right time, striking every possible chord with audiences. The subject matter, for whatever reason, was a source of fascination for people at the time. The movie had just the right cast — Leonardo DiCaprio and Kate Winslet were on the verge of superstardom. It utilized exciting, headline-grabbing filmmaking techniques to tell its period story. And we may cringe just thinking about Celine Dion with that giant rock around her elongated neck, but the film was set to music that was absolutely perfect for the times.

And so it was. Grown men cried, virgins were deflowered, and Titanic became the #1 movie of all time. The world was changed. It was that big of a deal.

But a funny thing happened… Time passed, and cinematic tastes evolved. Now, there are plenty of classic Hollywood films that have weathered these changes. But Titanic isn’t one of them. Ironically, the things that made it so very appropriate for the late-1990s, are the things that make it seem so incredibly dated now. Today, Titanic plays like a sickeningly schmaltzy cheese-fest of epic proportions. And that’s why it must be defeated as the top-grossing domestic movie ever. It simply cannot stand! But who will take back the box office crown?

Enter The Dark Knight. Christopher Nolan’s masterpiece of a sequel to Batman Begins. Now, who knows if we’ll look back on this film the same way in a decade, but we’re pretty sure it’ll still remain one of the best movies we’ve ever seen. That’s why we’re taking it upon ourselves here at IGN to launch a grassroots effort aimed at making The Dark Knight the highest-grossing flick ever. And we need your help, Bat-fans!

TDK, after nine weeks of release, has the second-highest domestic gross of all time — over $517 million. Titanic is still floating atop the list with $600.8 million. For you math geniuses out there, that’s an $83 million deficit. And with the Bat-sequel only pulling in around $4 million this weekend, we’ve all got some work to do. So, spread the word! Let’s get out in force to see The Dark Knight for the umpteenth time, and deliver a shattering Batarang blow right to Jack Dawson’s stunningly gorgeous jaw.

Can we do it? Yes, we can. The Dark Knight has been in theaters for 9 weeks. Titanic enjoyed a whopping 41-week run. That long of a run may not be in the cards for The Dark Knight as the DVD and Blu-ray release are expected in December, but an IMAX rerelease has already been announced for January, so that’s sure to help the cause. For now, the flick is still playing in 2,191 theaters. So, let’s get out there and fill some seats, people!

We hope you’ll join us and do your part to make the world a better place. We’ll be back next week with an update on TDK’s gross and our campaign’s progress. Until then, “¡Sí, se puede!”

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IGN has a list of the top ten things that they want to see in Batman 3:

Like the rest of you, we simply can’t wait for director Christopher Nolan to succumb to the temptation of a truckload of cash so that he will return to make Batman 3. Consider this feature our wish list for who and what we’d like to see Nolan include or explore further in his next Bat-film, which Warner Bros. reportedly wants in theaters by 2011.

We’ll be covering the comic book characters, locations, gear and other narrative elements that we hope and expect Nolan and Co. to utilize in their gritty, realistic portrayal of Batman and Gotham City. Here then our top 10 must-haves for Batman 3:

The New Mob

When The Dark Knight opens, Batman has run the Gotham City mob underground, with its various factions forced to meet in private during daytime. But with Batman on the run and the city and GCPD turning against him by the end of TDK, the Gotham mob will likely find itself reinvigorated. However, Carmine Falcone is locked away in Arkham Asylum (thanks to the Scarecrow’s fear toxin in Batman Begins) and his successor, Sal Maroni, might very well be dead (or, at the very least, incapacitated) following the car wreck Two-Face caused in TDK. So who does that leave to run the mob?

Seeing how Christopher Nolan and his writers have drawn from Year One and The Long Halloween for many elements in both Batman Begins and TDK, it stands to reason that they might include other underworld characters utilized for those stories. For example, there is Carmine “The Roman” Falcone’s outcast son Alberto Falcone, who proclaimed himself the “Holiday” killer in The Long Halloween. Other contenders might include Carmine’s eldest son Mario Falcone and his twin sister Sofia Gigante, who later became the Hangman Killer; Johnny Viti, the Roman’s nephew; or Milos Grappa, the Roman’s bodyguard and consigliere. (It might also be fun to see Batman employ his undercover guise of “Matches” Malone to infiltrate the mob.)

More colorful criminals such as the Penguin or Black Mask could also have carved out their own fiefdoms in the Gotham mob, further blurring the lines between the traditional underworld and the super-villains who are the result of Batman’s escalation in the war on crime. Of course, not all of Gotham’s criminals belong to the underworld, which leads us to …

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The new Superman could commence shooting next summer. Warner Bros. is considering Mark Millar (“Fantastic Four,” “The Ultimates,” “The Authority,” “Wanted,” “Kick-Ass”) to script the blockbuster:

“I’ve had this plan for like 10 years for a big three-picture Superman thing, like a Lord of the Rings epic, starting over from scratch again with a seven-hour Superman story. One to be released each year.” [Mark] Millar said.

Millar says there’s nothing firm yet, but he hopes to get word over the next few weeks. If everything goes perfectly, they’ll be shooting next summer.

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Starting September 4th, you can watch classic Hollywood movies in the movie theater at The Library of Congress Packard Campus for Audiovisual Conservation. The Maltese Falcon will kick-off the series on September 4 and 5 at 7:30 p.m.:

Classic Hollywood returns to Culpeper next Thursday with the “premiere” of one of many timeless films to be shown year-round in the movie theater at The Library of Congress Packard Campus for Audiovisual Conservation.

All movies are free and open to the public, or as Humphrey Bogart once said, “It’s, “The, uh, stuff that dreams are made of.”

Bogart as Detective Sam Spade in “The Maltese Falcon” kicks off the highly anticipated series on Mount Pony with back-to-back showings of the 1941 Warner Bros. classic Sept. 4 and 5 at 7:30 p.m.

“The Wizard of Oz” plays on the big screen Saturday, Sept. 6 at 2 p.m.

From then on, classics like “The Grapes of Wrath” and “Gone With the Wind” will play three times a week: Tuesdays at 7p.m., Fridays at 7:30 p.m. and Saturday matinees at 2 p.m.

“I’ve never seen anything like it,” said Greg Lukow, chief of the library’s Motion Picture, Broadcasting and Recorded Sound Division, of Bogart’s role in the classic detective drama. “Look for the scene where he laughs and claps his hands together with this maniacal glee at a comment his secretary makes.”

Moviegoers will also want to have a look at their lush surroundings.

The 208-seat theater is Art Deco all the way down to the flowered carpet — the same as in the circa-1925 Stanford Theatre in Palo Alto, Calif. — up to the chandeliers, exact replicas of the fixtures in San Pedro’s Warner Grand Theatre, circa 1930s.

David Woodley Packard, a longtime supporter of audiovisual and theater conservation, played a major role in the look of the Culpeper theater even down to these smallest details. On a much larger scale, his Packard Humanities Institute donated $155 million toward construction of the Library of Congress facility in Culpeper.

“Besides preservation, (Packard) also has an interest in making sure these precious artifacts are available and accessible to the public in the best possible quality prints and best quality venues,” said Lukow, mentioning that Packard restored the Stanford and has been showing movies there since 1989.

When it comes to venue quality, that’s covered in Culpeper.

As for the prints, they all will come from the Library’s collection — new masters fashioned from original film reels.

Movies showing through the Nov. 22 schedule were selected from the National Film Registry, films recognized for their culture, history or aesthetic.

Mike Mashon, head of the Moving Images Section, said they decided to open the film series with NRF selections primarily because it highlights preservation, the main reason why the Culpeper facility exists.

The Library also tapped the Registry because it contains well-known titles aimed at a broad audience.

But how many people can say they’ve seen classics like 1933’s “King Kong” starring Fay Wray on the big screen? Now they can.

“There is nothing that compares to the experience of seeing them anew in the way they’re supposed to be enjoyed: in the dark, on a big screen with an audience,” Mashon said of the screen, which measures about 28-feet-wide by 20-feet-tall.

“So in that sense, we’re not only preserving films, but the theatrical experience as well.”

The theater on Mount Pony is “the perfect place to see classic American Hollywood,” added Rob Stone, curator with the Moving Images Section inside the theater last week.

“When you walk into this theater, that’s what I think. I don’t think of a sterile screening room. It is a miniature movie palace,” said Stone, who moved to Culpeper three weeks ago from California, where he was associate curator at the UCLA Film and Television Archive.

Practically speaking, the theater offers stadium seating so everyone gets a clear view of the screen, plenty of legroom and spaces for three wheelchairs.

An interesting contrast to its 1920 décor, however, is the state-of-the-art projection and sound equipment.

“It’s a very good system,” said Steve Guttag with Cardinal Sound & Motion Picture Systems of Maryland inside the projection room Friday. “It’s one of the highest functioning I’ve seen,” he added above the mechanical roar.

Guttag, who’s traveled the nation installing sound and picture systems, has been involved with the Mount Pony theater project for several years.

He said the movies shown in Culpeper would be “at least 10 times fresher than what you would see in a typical cinema.”

“It’s really geared toward older films,” Guttag said as he worked on finishing touches. “You look at that screen out there it’s very square in shape compared to a modern theater so it’s got a really big advantage.”

The whole set-up is versatile as well, capable of playing any and all film formats, including the earliest type, nitrate.

In fact, the theater on Mount Pony is one of only five theaters in the entire country capable of showing classic prints on nitrate, as they would have been screened before 1950.

Twelve speakers embedded in each wall and five behind the screen will outdo in clarity and sound any home-based theater system and then some.

Projectionist David March, who moved to Culpeper three years ago from LA for the job on Mount Pony, admitted to being a bit nervous in anticipation of the big premier.

“There’s a lot of expectation,” he said, “but actually I’m quite thrilled to be a projectionist for this theater. For somebody who loves films, this is a dream: handling it, showing films they way they used to be shown.”

Old is new again in Culpeper.

“The quality of this system is going to allow the light, silvery black-and-whites and lusciousness of Technicolor color to come through in ways that people have generally forgotten,” Lukow added.

Although, some of Culpeper’s silver-haired generation may remember watching the classics downtown in the State Theatre, now under renovation, opened 1938 on Main Street.

Its first movie that year was “Sally, Irene and Mary” starring Jimmy Durante and Alice Faye.

“Bringing Up Baby” with Katharine Hepburn also debuted in 1938. It shows Sept. 23 on Mount Pony.

Allison Brophy Champion can be reached at 825-0771 ext. 101 or abrophy@starexponent.com

All you need to know about getting tickets:
The Library of Congress Packard Campus for Audiovisual Conservation at Mount Pony announces the premiere showing of its year-round free film series Sept. 4 and 5 with “The Maltese Falcon” at 7:30 p.m.

From then on, films will show three times a week: Tuesdays at 7 p.m., Fridays at 7:30 p.m. and Saturday matinees at 2.

Reservations for each show in the 208-seat theater, located on the facility’s first level, will be accepted one week in advance using an automated phone system.

To reserve a seat, call 540-827-1079 and then, when asked, enter extension 79994.

A phone message will instruct you to leave the following information: date(s) of the show(s) for which you would like reservations, film title, your name (speak clearly and repeat or spell your last name) and the number of seats desired — four seats per call, please.

The theater lobby will open 45 minutes before show time; stop by the kiosk to get your movie passes, using the same name you left on the phone message. The theater will open half-hour prior to each show.

All outstanding reservations will be canceled 10 minutes before the show is scheduled to start; you may not “save” seats for those arriving late.

For those who do not have a reservation, stop by the kiosk and ask for a numbered “stand-by” card. Ten minutes before show time, any available seats will be given to patrons holding these numbers.

Smoking is not permitted on the NAVCC Packard Campus. Food and drink are not allowed in the theater. Theatergoers of all ages are welcome, but children 12 and younger must be accompanied by an adult.

Click HERE to for movie schedule

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Check out this trailer for Fast & Furious due in theaters next summer.

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The trailer for Harry Potter and the Half Blood Prince is now online. Buy Harry Potter film cells here

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George Lucas has said that he will be releasing a Star Wars: Clone Wars feature length movie before the the television series.

As for The Clone Wars movie, Lucas said, “We looked at it on the big screen and it looked so beautiful and great that we said, ‘Gee, we can make a feature just like this.’ So we did and got all the people, got all the stuff and said, ‘Let’s make a feature.’”

Lucas has said he will do 100 episodes of The Clone Wars, and noted, “We have one year finished, we’re in the middle of the second year. I’ve written the third year. We expect this to go on for at least five or six years.” Lucas also noted that the animated series will be presented in widescreen.

Both Star Wars series are being completely independently produced by Lucasfilm, with Lucas only recently making a deal to air The Clone Wars on the Cartoon Network. When he was asked about putting so much work into the shows, including future seasons, without knowing he had a commitment for them to air on a network, Lucas replied, “Yeah, well I’m going to do a hundred shows. I’m going to do it no matter what they do, so obviously, I want it to stay on the air a long time.”

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