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Synopsis:
In the world of high-stakes Las Vegas poker. Huck Cheever (Eric Bana) is a blaster — a player who goes all out, all the time. But in his personal relationships, Huck plays it tight, expertly avoiding emotional commitments and long-term expectations.

When Huck sets out to win the main event of the 2003 World Series of Poker — and the affections of Billie Offer (Drew Barrymore), a young singer from Bakersfield — there is one significant obstacle in his path: his father, L.C. Cheever (Robert Duvall), the poker legend who abandoned Huck’s mother years ago. As these two rivals progress toward a final showdown at the poker table, Huck learns that to win in the games of life and poker, he must try to play cards the way he has been living his life and live his life the way he has been playing cards.

Cast: Eric Bana, Drew Barrymore, Robert Duvall, Jean Smart, Debra Messing, Kelvin Han Yee, Charles Martin Smith; Directed by: Curtis Hanson

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In Theaters: May 4th, 2007

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Karl Urban, right, wages a violent, personal war against marauding Vikings

Karl Urban speaks to Stax of IGN.com about his starring role in Pathfinder. Read on:

IGN recently spoke with actor Karl Urban about his starring role in Fox’s forthcoming historical actioner Pathfinder. The Marcus Nispel-directed film stars Urban as Ghost, a Viking boy shipwrecked on the coast of America centuries before the arrival of Columbus. Although he was raised by the indigenous people who found him, Ghost is not truly one of them and remains torn between two worlds. When the “Dragon Men” return fifteen years later to conquer the Indians and plunder their land, Ghost stands with his adopted tribe against the ruthless invaders.

Urban believes the premise of the film — which, in terms of its look, owes more to fantasy than to straightforward historical movies — has its roots planted firmly in historical fact. “There’s Viking ruins and artifacts right down the east coast of America right into New Orleans,” the New Zealand-born actor explained. “So there is evidence to support the notion that it was indeed the Vikings who first discovered America a thousand years before Christopher Columbus.”

But he is quick to add that Pathfinder “is not a documentary. … In our film, (the Vikings are) really a bad bunch and we’ve really portrayed them that way. And with respect to the Viking culture, I think the Vikings in our film were probably closer to the berserkers than more traditional Vikings. From what I read, they were quite an extraordinary culture in their own right and had so much knowledge and they basically invented a democratic system.”

Although he co-starred in the mammoth Lord of the Rings trilogy, Urban was still struck by the rigors of shooting Pathfinder, which was filmed in frigid Vancouver. “We had one day where we shot on interior and the rest of it was shot 100% on location. That was a very grueling shoot. We were sliding into winter and I had the wardrobe lady outfitting me in a very traditional Indian costume, which consisted of a leather thong. [laughs] It was challenging at the time but, certainly, some locations were very dangerous. Thirteen members of our crew got injured while we were working in the cave system, either smacking into the roof of the cave or twisting their ankles on the slippery rocks. So it was a pretty tough, dangerous set at times.”

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In Theaters: April 13th, 2007

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Saw IV will open in theaters next Halloween. Read on:

With Saw III debuting over the weekend to the tune of around $35 million, Lionsgate is expected to move ahead with plans for a fourth installment in the horror film series centering on psychotic killer Jigsaw. According to an Associated Press report, the studio will release Saw IV around Halloween 2007.

Actor Tobin Bell, who plays Jigsaw, has already publicly stated that he’s signed on for fourth and fifth films in the series.

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Talking Life-Size Puppet

Spain, 1944. Officially, the Civil War has been over for five years, but a small group of rebels fights on unbroken in the northern mountains of Navarra. Dreamy 10-year-old Ofelia moves to Navarra with her delicate, pregnant mother Carmen, to become acquainted with her new stepfather, Captain Vidal, a Fascist officer under orders to rid the territory of rebels. Ofelia, who is fascinated by fairy tales, discovers an overgrown, tumbledown labyrinth behind the mill. In the heart of the labyrinth she meets Pan, an ancient satyr who claims to know her true identity and her secret destiny. But first, she must complete three tasks before the moon grows full. And no one must know: not her ailing mother, or her new friend, Mercedes. Time is running out, for Ofelia and for the rebels. Both will have to battle hardship and cruelty in order to gain their freedom. But, who can be trusted in a time of lies and danger? Is Pan telling the truth…? And if not, who is?

Cast: Ivana Baquero, Doug Jones, Sergi López, Ariadna Gil, Maribel Verdú; Directed by: Guillermo del Toro

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Kirtsten Dunst in Marie Antoinette

Sophia Coppola’s Marie Antoinette is simply brilliant. Read on:

Marie Antoinette is a film that some people will enjoy and others will not. But virtually none of them will have any idea how to explain or qualify why. Part of this is due to its strange clash of classic and modern ideas; director Sofia Coppola transforms what would otherwise be described as a costume drama into a subtle dissertation on the vagaries of our too-much-too-soon culture. But at the same time, Coppola’s general approach to moviemaking seems to produce this kind of confusion, or maybe just the stimulating sense that things aren’t quite so easily categorized.

With Marie Antoinette, Coppola proves that she is still one of the most talented, adventurous and exciting filmmakers of the modern era. Like an exhilarating union between Terrence Malick and Baz Luhrmann, she combines the immediacy of contemporary cinema with the studied professionalism and patience of previous decades, creating a masterpiece that is both faithful to its time period and vividly rendered in dimensions that modern audiences will relate to.

Rather than examining the French queen’s life in a strictly historical context, Coppola looks at the trajectory of her experiences in much the same way she did Charlotte’s in Lost In Translation — namely, by exploring the motivations and emotional underpinnings that produce Marie Antoinette’s behavior. Kirsten Dunst (Elizabethtown) portrays her as exactly what she was — a young girl caught up in events she could no better understand than control or change — and gives the film a heroine whose problems feel identifiable. While so many period movies dryly chronicle the broad strokes of so-called “universal” issues, Dunst and Coppola’s collaboration blows the dust off of the entire “period piece” ethos, and turns the historical figure’s travails into something sharp and evocative.

For film fans, Kubrick’s Barry Lyndon and Luchino Visconti’s The Leopard will immediately come to mind as visual and overall aesthetic references, but the film shares much more in common with the works of the aforementioned Malick, whose most recent work The New World similarly purported to document a bygone era via atmosphere and emotion rather than historical accuracy. Marie Antoinette is an impressionist’s view of what life must have been like for the teen queen: conjuring the texture of her world and the minutiae of her absurdly regimented daily life, Coppola finds the human truth in Marie Antoinette’s boredom, her loneliness, and eventually, her decadent self-destruction.

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Flicka will be in theaters, October 20th and you get the movie posters here at All Movie Replicas.

Synopsis: A young girl, Katy, adopts a wild mustang she names Flicka, only to see her father sell her now beloved companion. To win back Flicka’s freedom, Katy secretly schemes to enter a dangerous wild horse race.

Cast: Maria Bello, Alison Lohman, Tim Mcgraw, David Burton, Sierra Doherty Gillin, Kaylee DeFer; Directed by: Michael Mayer

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Marie Antoinette director, Sophia Coppola will use a wide variety of popular rock music to bring her feature to life. Read on:

For her third feature length film, Marie Antoinette, director Sophia Coppola once again continues to utilize the vast expanse of popular music to accentuate her vivid visual imagination.

Joining her on her quest for the perfect marriage between sight and sound was Music Producer and Music Supervisor Brian Reitzell, who also worked with Coppola on her two previous films, Lost In Translation and The Virgin Suicides.

While writing the script for the film Coppola turned to Reitzell and the two discussed in depth both the tone of the film and the music she was looking for. The result was that Reitzell went for a combination of vintage New Wave (Bow Wow Wow, Adam Ant), Opera, and contemporary music.

“We decided early on that our approach would be a collage of different kinds of music,” says Reitzell. “The soundtrack is a double disc, a post-punk-pre-new-romantic-rock-opera odyssey with some 18th century music and some very new contemporary music.”

The accompanying album is broken into a 2-Disc set featuring classics from the likes of Gang of Four and New Order on one disc and lush score elements on the other disc.

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February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi.

The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.

Based on the bestselling book by James Bradley with Ron Powers.

Cast: Patrick Dollaghan, Jon Kellam, Andri Sigurðsson, Adam Beach, Allison Appleby; Directed by: Clint Eastwood

Flags of our Fathers opens in theaters, October 20, 2006

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