Actor: Jeff Bridges, Crazy Heart; George Clooney, Up in the Air; Colin Firth, A Single Man; Morgan Freeman, Invictus; Jeremy Renner, The Hurt Locker.
Actress: Sandra Bullock, The Blind Side; Helen Mirren, The Last Station; Carey Mulligan, An Education; Gabourey Sidibe, Precious: Based on the Novel Push by Sapphire; Meryl Streep, Julie & Julia.
Supporting Actor: Matt Damon, Invictus; Woody Harrelson, The Messenger; Christopher Plummer, The Last Station; Stanley Tucci, The Lovely Bones; Christoph Waltz, Inglourious Basterds.
Supporting Actress: Penelope Cruz, Nine; Vera Farmiga, Up in the Air; Maggie Gyllenhaal, Crazy Heart; Anna Kendrick, Up in the Air; Mo’Nique, Precious: Based on the Novel Push by Sapphire.
Directing: James Cameron, Avatar; Kathryn Bigelow, The Hurt Locker; Quentin Tarantino, Inglourious Basterds; Lee Daniels, Precious: Based on the Novel Push by Sapphire; Jason Reitman, Up in the Air.
Foreign Language Film: Ajami, Israel; El Secreto de Sus Ojos, Argentina; The Milk of Sorrow, Peru; Un Prophete, France; The White Ribbon, Germany.
Adapted Screenplay: Neill Blomkamp and Terri Tatchell, District 9; Nick Hornby, An Education; Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche, “In the Loop”; Geoffrey Fletcher, “Precious: Based on the Novel ‘Push’ by Sapphire; Jason Reitman and Sheldon Turner, Up in the Air.
Sound Editing: Avatar, The Hurt Locker, Inglourious Basterds, Star Trek, Up.
Original Score: Avatar, James Horner; Fantastic Mr. Fox, Alexandre Desplat; The Hurt Locker, Marco Beltrami and Buck Sanders; Sherlock Holmes, Hans Zimmer; Up, Michael Giacchino.
Original Song: Almost There from The Princess and the Frog, Randy Newman; Down in New Orleans from The Princess and the Frog, Randy Newman; Loin de Paname from Paris 36, Reinhardt Wagner and Frank Thomas; Take It All from Nine, Maury Yeston; The Weary Kind (Theme from Crazy Heart) from Crazy Heart, Ryan Bingham and T Bone Burnett.
Documentary Feature: Burma VJ, The Cove, Food, Inc. The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers, Which Way Home.
Documentary (short subject): China’s Unnatural Disaster: The Tears of Sichuan Province, The Last Campaign of Governor Booth Gardner, The Last Truck: Closing of a GM Plant, Music by Prudence, Rabbit a la Berlin.
Film Editing: Avatar, District 9, The Hurt Locker, Inglourious Basterds, Precious: Based on the Novel Push by Sapphire.
Makeup: Il Divo, Star Trek, The Young Victoria.
Animated Short Film: French Roast, Granny O’Grimm’s Sleeping Beauty, The Lady and the Reaper (La Dama y la Muerte), Logorama, A Matter of Loaf and Death.
Live Action Short Film: The Door, Instead of Abracadabra, Kavi, Miracle Fish, The New Tenants.
Star Trek screenwriter Roberto Orci revealed that the next Trek movie might be the first instalment of a two-part story.
Speaking to io9 at Comic-Con, he was asked if they had any further meetings about the sequel, and he replied: “Nothing was decided [at the last meeting]. It was really about… [They said to us] ‘We thought maybe you could do that as like 2 and 3.’”
It’s a fairly vague quote, but it does raise all kinds of possibilities as to the future of Trek. Will they film parts two and three back-to-back like Pirates of the Caribbean? Will part two end on a cliff-hanger a la The Matrix Reloaded?
Obviously we don’t know, but after the great job done by Abrams and Co. on the first Trek we’re looking forward to finding out.
Read the Star Trek review courtesy of Jay Stone of canada.com
J.J. Abrams’ re-invention of the venerable sci-fi saga presents the origins of Kirk (Chris Pine), Spock (Zachary Quinto) and the rest of a familiar cast. It’s a nice, unpretentious adventure that will delight the fans. Even those who know nothing about the franchise except the phrase “Beam me up, Scotty” may find themselves turning into late-stage Trekkies.
Starring: Chris Pine, Zachary Quinto, Eric Bana, Bruce Greenwood, Simon Pegg
Rating: four stars out of five
People who enjoy science fiction say that it helps illuminate the human condition, to which I reply: If you want to illuminate the human condition, turn on the light in the bedroom.
I’m not sure what we’re supposed to have learned, for instance, from all the “I’m your father, Luke” business in Star Wars. Except that if you go into dad’s line of work, you’re going to want to kill him sometimes, and if you wanted to know that, you could just have asked anyone in a family business.
Which is another reason to enjoy Star Trek, a movie version of the venerable sci-fi saga that touches on several universal themes — fathers and sons, sons and mothers, Romulans and Vulcans — without getting all illuminate-the-human-condition about it.
I’m not sure how faithful it is to the many Star Trek movies and TV shows that preceded it, because I’ve never seen one: everything I know about Star Trek (“Live long and prosper,” and “Phasers on stun”) I picked up vicariously from the cultural ozone.
When the engineer named Scotty (Simon Pegg) says, “I’m giving it all she’s got, captain,” the resulting audience laughter lets you know that this is another Trekkie phrase, cheered for its familiarity.
Star Trek is very much like that, but even for us newcomers — people who have been living under rocks, as opposed to those who have been living in their parents’ basements — it’s nevertheless an adventure with lots of high technology, high spirits and a low sense of self-importance. There are no papier-mache rocks falling on Captain Kirk, but there’s enough papier-mache dialogue to ensure he’s in constant, if cartoonish, peril.
The movie begins with a Superman-like origins story: a father on a dying planet (or in this case, a crashing vessel) sends his only son to Earth to become the hellraising Capt. James T. Kirk (Chris Pine, winner of the Christian Slater sound-alike contest), who is on his way to becoming the Capt. Kirk we know and love. Pine is no William Shatner, but give him 40 years and a few good meals, and he might make it.
We also learn about the origins of Spock (Zachary Quinto from Heroes), a half-Vulcan, half-human whom we meet reciting things like “four-thirds pi times radius cubed,” an early sign of his logic-based genius. Spock, who does things with his eyebrows that we haven’t seen since Theda Bara went into retirement, will grow up to be Leonard Nimoy, who makes a featured appearance in the film — much cheering and laughter — as his future self.
This is the sort of thing that could drive more ambitious space movies to a doctoral thesis on the time-space continuum, but in Star Trek, it’s just another wacky bit of interstellar life: phasers on fun!
The plot has Kirk stowing away on the USS Enterprise, captained by Bruce Greenwood, as it speeds into space and a confrontation with a long, stringy spaceship under the control of Nero (Eric Bana), a Romulan with facial tattoos and a murderous disposition: he looks like someone who got lost on the way to Mad Max.
Nero is out to get Spock because of something he did to Romulus, or maybe it was Remus. In any event, he’s set on blowing up planets by pouring “the red matter” into their cores, creating a black hole.
There are several large explosions and lots of fights on narrow platforms that have no railings — the cosmos is not a friendly place for older people — and a nice turn by Pegg, who brings a comic sensibility that pulls Trek a degree or two toward self-parody, although not too far (the formula, I believe, is four-thirds pi times radius cubed.)
Every time I see one of these space epics, I’m reminded of the Mel Brooks plan to do a satire that would be called Intergalactic Mishigas. There’s a bit of that in Star Trek, but not too much: director J.J. Abrams has found a balance between excitement and knowingness. Beam me up, Scotty, and give it all she’s got.
It’s summer blockbuster time so, read this article and plan your summer movie outings.
It’s summer blockbuster time at the movie theatres with Wolverine, the X-Man most in need of a manicure, throwing out the first computer-generated eviscerations. Summer blockbuster time is a mixed blessing: remakes and sequels make up most of the menu, and a lot of the movies seem to have spent more of the budget on dynamite than on screenwriting. But there are always some promising newcomers, some of them even without mall cops. Here are a dozen megahits on the horizon, starting with the five best bets (highlighted by an asterisk):
* Terminator Salvation: No. 4 in the series — and apparently the start of a new trilogy from director McG — introduces Christian Bale as John Connor, the man who dodged all those assassin robots sent from the future to the past to kill him before he could change the future that they were in, or something. Bale is already familiar from his X-rated meltdown on the set of this film, so we’ll be able to see just what was so f—- distracting. Oh yeah, the plot: Connor leads survivors after a nuclear apocalypse. (May 21).
* Up: This animated film is from Pixar, which has a track record for movies that combine cleverness with heart. It’s about a 78-year-old man who sets off for adventure by attaching helium balloons to his house, only to discover he has a nine-year-old stowaway on his front porch. Hmmm. For what it’s worth — and it’s often not much — the film is also the opening gala at this year’s Cannes Film Festival. (May 29)
* The Taking of Pelham 123: The 1974 original — about a gang that hijacks a New York City subway car and demands money for hostages — was a classic heist film that influenced Quentin Tarantino’s Reservoir Dogs (the bad guys are named Mr. Blue, Mr. Grey, Mr. Green and Mr. Brown.) Tony Scott’s remake has more star power, with John Travolta as the head villain and Denzel Washington as the dispatcher who has to negotiate with him, and the paranoia of disaster has also stepped up in the intervening 34 years. (June 12).
* Public Enemies: A 1930s gangster movie, directed by Michael Mann, with Johnny Depp as John Dillinger, the leading hoodlum of his day, and Christian Bale — nicely recovered from Terminator: Salvation — as Melvin Purvis, the FBI agent hunting him down. Also of interest: Billy Crudup, mostly recently seen as a naked fluorescent superhero in Watchmen, plays J. Edgar Hoover, America’s No. 1 G-man (and secret cross-dresser, although the movie may leave that part out.) This one looks like a throwback to the great old rat-a-tat mob films: Bonnie and Clyde without the irony. (July 1)
* Inglourious Basterds: A remake of a 1978 Italian film (whose American release had the title spelled correctly) that was an homage to The Dirty Dozen, speaking of the devil. This Quentin Tarantino war movie stars Brad Pitt as the head of a group of soldiers in the Second World War who are sent out to scalp and kill as many Nazis as possible (ÒI want my scalps!Ó). Among the movie’s oddities are the fact that Mike Myers plays an American general. (Aug. 21)
X-Men Origins: Wolverine: The buzz is hot on this one, partly because an unfinished print was leaked on the Internet and people liked it, even minus the special effects. (What’s left? Emotionally vulnerability? Stop kvetching, X-Persons: at least you have a job.) It tells the story of Wolverine’s violent and romantic past, his relationship with Victor Creed (who will later become Sabretooth) and the mutant Weapons X program. I hope that means something to someone. Oscar host and song-and-dance man Hugh Jackman stars. (May 1)
Star Trek: The sci-fi classic undergoes a reinvention by J.J. Abrams, whose bona fides (Lost, Alias) may make him the ideal director for this kind of cult melodrama. Chris Pine stars as young Capt. James T. Kirk, piloting the USS Enterprise into danger, adventure and large portions of inter-terrestrial mishigas. The cast features the return of Leonard Nimoy, playing Old Spock. Good news: they’re already planning a sequel. Bad news: they’re already planning a sequel. (May 8)
Angels & Demons: If you loved The Da Vinci Code, with its fast-moving, historical-revelation-a-minute uncovering of a Catholic plot to subjugate women — or if you were driven to fury by the implications — he’s another chance to be thrilled (or apoplectic.) This prequel, from Da Vinci director Ron Howard, has been refigured as a sequel (go refigure) and again stars Tom Hanks as Robert Langdon, the world’s most dangerous symbolist. This time he’s looking for an assassin from the secretive Illuminati who is killing cardinals. (May 15)
Night at the Museum: Battle of the Smithsonian: In this, the year of the security guard movie, Ben Stiller returns as Larry Daley, the man with the flashlight, in the third episode of the hit comedy franchise. Various historic figures are played by Owen Wilson, Robin Williams, Dick Van Dyke, Eugene Levy and, well, various other historical figures. (May 22)
Transformers: Revenge of the Fallen: Giant robots fight for world supremacy in this sequel to the loud, explosive and lucrative adventure from loud-explosive-lucrative director Michael Bay. Decepticon returns to capture Sam (Shia LaBeouf), leaving Optimus Prime as mankind’s best hope to save the day, preferably by knocking down lots of buildings. (June 24)
Harry Potter and the Half-Blood Prince: Daniel Radcliffe — who may be married and bringing his own children to the theatre by the time this series ends — returns with the rest of the gang for his sixth year at Hogwarts. He learns new spells, finds a new girlfriend, and learns new secrets about Voldemort. The film was delayed from last November, an event that caused much protest and Internet chatter, but look: now you have something nice to do in July. (July 15)
G.I. Joe: The Rise of Cobra: Channing Tatum, whom you will have already enjoyed as Pretty Boy Floyd in Public Enemies, returns as a fighting man on the trail of an arms dealer. The action figure that became a comic book and then an animated TV show has gone through a lot of incarnations — at one point he was battling for the environment — but here he is a gun-toting, terrorist-killing soldier, although without the Kung-fu grip. (Aug. 7)
Clck on the link below to read the entire article:
The film explores the origins of James T. Kirk, Spock and the crew of the USS Enterprise from the original “Star Trek” series and how these iconic characters came together. According to rumors, the story involves an elder Spock (Nimoy) and a group of Romulans (led by Nero, played by Bana) being transplanted into the past where Spock must prevent the Romulans from irreparably damaging the timeline. To do so, he will have to enlist the assistance of his younger self (Quinto).
Trekmovie.com has posted an indepth review of Master Replicas’, Star Trek Starfleet Assault phaser:
Master Replicas was the first company to do serious, functional licensed prop replicas from the Star Trek franchise, and their classic original series phaser remains the standard for this type of product—an amazing, all metal reproduction of the original series prop with something like 11 different sound and light settings and all kinds of functionality. All of that was based on research on the actual prop (it did several things which for one reason or another were never demonstrated fully on the show) as well as three years’ worth of episodes that showed it doing all kinds of different things.
To date the Starfleet “Assault Phaser” designed for Star Trek V has appeared Star Trek V and Star Trek VI: The Undiscovered Country, and maybe a Voyager and Deep Space Nine episode or two. Nevertheless it’s one of the most popular and cool-looking incarnations of the phaser and Master Replicas announcement of an Assault Phaser at Comic Con a couple of years ago caused excitement among prop collectors.
MR has delivered the goods with this, their third phaser replica (after the classic version and a Next Generation style “Cobra” phaser). Like the original prop, it’s huge—the chunkiest phaser we’ve yet seen in the series. Unlike MR’s classic phaser, the Assault Phaser is made of a mix of materials. The lower end of the removable clip, the upper front and rear protective cowl, the silver barrel and rear heat sink, the setting dial and side mounted cowl and clip releases are metal; the main body and hand grip are made of a hard, durable plastic—the equivalent of high-tech composite materials. Consequently the gun has a nice weight to it but it’s not as unwieldy as an all-metal take on the prop probably would have been. Click here to read the entire review, which includes some interesting deatils about the functionality of MR replica and view some cool images of the actual replica, itself.
Trekmovie.com has also posted a video of the Assault phaser and Science Tricorder in action. Click here to view the video.
Director, J.J. Abrams explains why Star Trek skipped Comic Con.
IGN Movies caught up with director J.J. Abrams at this past weekend’s San Diego Comic-Con where the Star Trek filmmaker explained to us why there was a distinct lack of Trek evident at this year’s show.
Abrams explains that Paramount decided not to promote the movie, along with Transformers 2 and G.I. Joe, at this year’s Comic-Con as part of a larger marketing strategy.
Watch the embedded video interview with Abrams below to hear it from the man himself:
The release date for the Star Trek feature length film has been moved forward to May 09.
Paramount Pictures has shifted the release date of its forthcoming Star Trek movie from Christmas 2008 to May 8, 2009. The J.J. Abrams-directed film is still in production.
Variety reports that Trek’s release date shift “was part of a major reshuffling to the studio’s release calendar, as well as DreamWorks’ release calendar. Studio insiders said Star Trek has the potential to gross more in May than in December.”