Raging Bull (1980)
Description:
1 Sheet Movie Poster - Australian
Year: 1980
Condition: Near Mint
Dimension: 27" x 41"
Genre: Drama
Features:
- Original
- Australian One Sheet
- Single-Sided
- Was folded but now linenbacked
Benefits:
- Original posters increase in value over time
- Lithographic print (high resolution image)
- High quality paper stock
- Guaranteed original
This movie art item is an authentic original piece. Original movie art items are valued by
collectors worldwide and can increase in value over time.
Cast: Robert De Niro, Cathy Moriarty, Joe Pesci, Frank Vincent,
Nicholas Colasanto, Theresa Saldana, Frank Adonis, Mario Gallo, Frank Topham,
Johnny Barnes, Kevin Mahon, Ed Gregory, Louis Raftis; Directed
by: Martin Scorsese
Synopsis:
Martin Scorsese's brutal character study incisively portrays the true rise and
fall and redemption of middleweight boxer Jake La Motta, a violent man in and
out of the ring who thrives on his ability (and desire) to take a beating.
Opening with the spectacle of the over-the-hill La Motta (Robert De Niro)
practicing his 1960s night-club act, the film flashes back to 1940s New York,
when Jake's career is on the rise. Despite pressure from the local mobsters,
Jake trusts his brother Joey (Joe Pesci) to help him make it to a title bout
against Sugar Ray Robinson the honest way; the Mob, however, will not cave in.
Jake gets the title bout, and blonde teenage second wife Vickie (Cathy
Moriarty), but success does nothing to exorcise his demons, even as he channels
his rage into boxing. Alienating Vickie and Joey, and disastrously gaining
weight, Jake has destroyed his personal and professional lives by the 1950s.
After he hits bottom, however, Jake emerges with a gleam of self-awareness, as
he sits rehearsing Marlon Brando's On the Waterfront speech in his dressing room
mirror: "I coulda been a contender, I coulda been somebody." Working with a
script adapted by Mardik Martin and Paul Schrader from La Motta's memoirs,
Scorsese and De Niro sought to make an uncompromising portrait of an unlikable
man and his ruthless profession. Eschewing uplifting Rocky-like boxing movie
conventions, their Jake is relentlessly cruel and self-destructive; the only
peace he can make is with himself. Michael Chapman's stark black-and-white
photography creates a documentary/tabloid realism; the production famously shut
down so that De Niro could gain 50-plus pounds. Raging Bull opened in late 1980
to raves for its artistry and revulsion for its protagonist; despite eight Oscar
nominations, it underperformed at the box office, as audiences increasingly
turned away from "difficult" films in the late '70s and early '80s. The Academy
concurred, passing over Scorsese's work for Best Director and Picture in favor
of Robert Redford and Ordinary People, although De Niro won a much-deserved
Oscar, as did the film's editor, Thelma Schoonmaker. Oscar or no Oscar, Raging
Bull has often been cited as the best American film of the 1980s.